Oops. AP publishes sketchy notes about pedophile celeb instead of article

Life is not going swimmingly for the director and persona-non-grata Roman Polanski.
To be first with the news requires a little oversight, and the Associated Press embarrassed itself when the initial notes between two wire reporters covering Roman Polanski's latest arrest in Switzerland were published instead of a more polished article. The mistake was rectified, but not before these speculative notes ran online and on the googlenews portal, due to aggregate 'bot feeds. It could have been worse, though. No egregious f-bombs were sent into cyberspace.
Click the BBC tech website for a matter-of-fact report. Would Reuters or AFP have gloated more ?

Feels like kiddie porn years later? Nevermind

Nirvana's underwater baby speaks:
'It feels kind of creepy'

Celebrity ain't what it used to be. A where are they now? feature in the Independent, rejigged from an MTV retrospective, explores childhood fame on vinyl.

To millions of music fans, the underwater photograph of a naked baby, a dollar bill floating before his face, will forever mean Nirvana. The star of the cover of the band's second studio album, Nevermind, has rather more complicated feelings towards the image.

"It's kind of creepy that so many people have seen me naked. I feel like I'm the world's biggest porn star," Spencer Elden, who was three months old when the picture was taken, told MTV News.

Spencer's parents were paid just $200 for allowing their infant son to be photographed by their friend, photographer Kirk Weddle. Little did they know at the time that the picture would feature in millions of record collections all over the world.

But Spencer, now a 17-year-old high school pupil in Eagle Rock, California, who works part time in a juice shop, surfs, snowboards and dreams of becoming an airline pilot, has had some recompense for his unsolicited fame.

He is one of the few people to have a platinum record of Nevermind hanging on his bedroom wall and even confesses, in youthful moments of hormonal agitation, to using the chat-up line: "You want to see my penis again?"

"It's kind of cool, knowing that I've been on an album cover, but I feel pretty normal about it because growing up, I've always known I was the Nirvana baby. It never really struck me like, 'Oh, shit, that's me on the cover.' It's always just been whatever for me," said Spencer.

"At the time, my parents didn't know who Nirvana was. No one really knew who they were. And then all of a sudden, it took off, and I just happened to be on the album cover."

If it had not been for Spencer's mother, Weddle might not have come up with the concept for the Nirvana album cover at all.

"My dad went to art school over here in Pasadena, and while he was going there, he had a good friend named Kirk, who was, at one time, a Navy seal and an underwater demolition expert. And so, to go to art school, he gave up diving. One day, he and my mom were sitting at the dinner table during a party, and my mom actually came up with the idea. He was saying how he missed scuba diving and she said, 'Why don't you just do underwater photography?' When he graduated, the first gig he got was the Nirvana album, and he needed a baby. So they just threw me in the pool, and snapped a whole roll of film in like a second."

Released in September 1991 on Geffen Records, Nevermind was Nirvana's breakthrough album, bringing the Seattle grunge scene to a worldwide audience and selling more than 26 million copies worldwide. Listed at number 17 in Rolling Stone magazine's 500 Greatest Albums of All Time.

In 1992, Weird Al Yankovic created a spoof of the cover for his own album Off The Deep End, which featured Yankovic swimming towards a donut. Nevermind was not Spencer's only appearance on the cover of a music album. In 2003, aged 12, he was featured on the cover of The Dragon Experience, the third solo album by cEvin Key of industrial group Skinny Puppy.

In 2001, seven years after the death of Nirvana's lead singer Kurt Cobain, Rolling Stone magazine asked Spencer to remodel the Nevermind slot to celebrate the album's tenth anniversary.

--Ciar Byrne

Pre-teen spirit



Peter Rowan

U2 'Boy', 1980

At the age of six, Peter Rowan, the brother of Bono's close friend Guggi, posed for the cover of U2's first album 'Boy'. He went on to become Ireland's skateboard champion, even appearing in The Commitments.



Billie Jo Campbell

Violent Femmes, 1982

Billie Jo Campbell was three years old on the iconic cover. Now 27, Campbell, lives in LA and works with her mother, running a clothing company. (Fair use of Wiki photo restricted)


anonymous pre-teen London girl
Blind Faith, 1969
Weird rumors inspired by this album cover: the girl was Baker's illegitimate daughter or was a groupie kept as a slave by the band.In 1969, a mystery girl appeared on the cover of Blind Faith, clasping a hood ornament from a 1957 Oldsmobile. Snapper Bob Seidemann, a former flatmate of Clapton, searched for "a girl as young as Shakespeare's Juliet...If she were too old it would be cheesecake, too young and it would be nothing. The beginning of the transition from girl to woman, that is what I was after. That temporal point, that singular flare of radiant innocence."

A 14-year-old girl on the London Tube was asked to model, but her younger sister, just 11, eventually posed (with her parents' permission) in exchange for her own horse.

Jemima Lewis on Brit hacks vs supine Yank journos

Journalists in this country are despised, and we know it. Indeed, we embrace our lowly status with a perverse, distinctly British pride: we call ourselves "hacks", lest anyone should think we take ourselves seriously, and delight in Fleet Street legends of debauchery and low cunning. British journalism - both the profession and the end product - is tough, unscrupulous and, at its best, riotously good fun.

In America, different standards prevail. When I went to work at a current affairs magazine in New York a couple of years ago, my editor warned me that I was in for a culture shock. "American journalists," he said, "believe they belong to a kind of priesthood. Ever since Watergate, we have seen ourselves as guardians of the truth. That," he added ruefully, "is why our newspapers are so boring."

Until you have tried ingesting The New York Times with your breakfast, you do not know the meaning of ennui. Nicknamed the Grey Lady - as a term of endearment - and boasting the priggish motto "All the news that's fit to print", it is the sine qua non of sober, morally upright journalism. And this respectability is its greatest weakness: it is far too polite to be subversive.

When President Bush was making the case for the invasion of Iraq, The New York Times - supposedly a fierce critic of this administration - swallowed the White House propaganda as if it were medicine from Mary Poppins. As it later admitted in a hand-wringing editorial, it simply accepted what it was told about WMD, because it came from "official" sources.

So did some in the British press - but there were at least plenty of sceptical, irreverent and downright belligerent voices making themselves heard. Our broadcast media, too, acquitted themselves dispassionately - at least by contrast with the feel-good patriotism that saturated the American TV news. There is a thin line between respectable and supine, and American journalism has settled on the wrong side. Our own press is no less obsessed with celebrities, but we specialise - too much so, you might think - in tearing them down. In America, to be famous is to be worshipped unquestioningly. Hollywood stars demand copy approval, and get it - which is why you will never read an interesting celebrity interview in an American magazine.
from the Independent